TLC's 'crazy, sexy, cool' comeback is just the beginning
Having provided the blueprint for girl groups throughout the â90s and the early 2000s, TLCâs brand of slinky, hip-hop-infused R&B-pop can be traced through a current generation of R&B talents, including Tinashe, Sevyn Streeter, Kehlani and Ella Mai.
More than 25 years after its debut, TLCâs influence can be witnessed in Rihannaâs sexually liberated swagger, Beyoncéâs feminist anthems and Lady Gagaâs flamboyance. Even one of the yearâs biggest singles, Ed Sheeranâs âShape of You,â owes a debt to TLCâs snappy kiss-off âNo Scrubs.â
And TLCâs lasting influence was evident when the groupâs surviving members, Tionne âT-Bozâ Watkins and Rozonda âChilliâ Thomas, made their way through a quiet Studio City restaurant on a recent afternoon and a fan stopped them to profess his gratitude.
âThank you for maki ng my childhood so cool. Your music still inspires me,â the man in his 20s said nervously, as Watkins and Thomas embraced him.
Yet in the days before the recent release of its self-titled album â" the groupâs first since losing its core, the flamboyant Lisa âLeft Eyeâ Lopes, in a 2002 accident â" Watkins and Thomas were on edge.
âComing out 15 years later with a studio album and having had so many sales on previous albums, people expect so much. Itâs a lot of pressure,â Watkins, 47, confessed between bites of vegan nachos. âYou just want them to like it â" and accept where you are in life right then.â
But the arrival of âTLCâ is bittersweet.
Though itâs the groupâs first independent release â" following a Kickstarter campaign that was the crowdfunding siteâs fastest-funded project for a pop act â" it is billed as TLCâs final recording.
âIt was kinda like, âLetâs do it one more time,ââ Thomas, 46, explained. âBut this isnât the last of TLC.â
Indeed, the albumâs release late last month comes at a time when the duo is busier than ever with a summer headlining North American tour â" including a date at the Greek Theatre on Friday â" before venturing to Europe for the first time.
We have been really blessed. Its been 20-plus years and weâve never broken up. Weâre never breaking up.
â" TLC's Rozonda "Chilli" Thomas
Discovered in 1991 by Perri âPebblesâ Reid, TLC helped put Atlanta label LaFace â" founded by famed R&B producers Antonio âL.A.â Reid (Perri Reidâs then-husband) and Kenneth âBabyfaceâ Edmonds â" on the map.
Vibrant videos and eye-popping tomboy fashions turned heads, but it was the groupâs knack for balancing political and social messaging (they famously promoted safe sex by tacking condoms to their clothes) with feisty, new jack swing tunes about black womanhood that really stuck.
But as the hits poured in, so did the drama.
The trio continuously deflected breakup rumors, Watkins was diagnosed with sickle cell anemia and Lopes torched her boyfriendâs mansion and went to rehab. Label battles erupted, and TLC went bankrupt within a year of its breakout album, âCrazySexyCool.â
The act came back strong with 1999âs âFanmail,â but work on the next album was halted when Lopes was killed in a car accident doing missionary work in Honduras. TLCâs l ast album, 2002âs â3D,â was completed using vocals from Lopesâ limited-released solo effort, âSupernova.â
The duo last made a comeback in 2013.
Then, a guest appearance on J. Coleâs âCrooked Smileâ netted TLC its first major hit in more than a dozen years, and the group produced a VH1 biopic, âCrazySexyCool: The TLC Story,â that became the highest-rated film in the networkâs history.
âWe have been really blessed,â Thomas said. âIts been 20-plus years, and weâve never broken up. Weâre never breaking up.â
It was the excitement over the VH1 film that led Reid to sign the group to a single deal with Epic Records. The deal spawned âMeant to Be,â its first single since 2003, but quickly soured and left TLC on its own again.
TLC was unsure if another label deal was in its future.
The groupâs longtime manager, Bill Diggins, tried to get Watkins and Thomas on board with launching a Kickstarter campaign, but they said no: âWe didnât understand. We didnât want to seem like we were asking for money,â Thomas said.
Diggins told them it would afford them what their recording career previously lacked: freedom.
âTo record the way we want without the interruption from a label and extra opinions? We were really excited about that,â Thomas said.
In early 2015, Watkins and Thomas launched a campaign to raise $150,000 in 30 days â" they did it in about three â" and ultimately collected more than $430,000, including donations from fans including New Kids on the Block and Katy Perry.
Execut ive produced by industry veteran Ron Fair, âTLCâ conjures some of the groupâs old magic.
Songs like âPerfect Girlsâ and âHatersâ offer messages of self-acceptance, and Watkins and Thomas show they havenât lost any of their âcrazy, sexy, coolâ spirit with sultry grooves like âScandalousâ and the breezy, throwback jam âWay Back.â
It might be TLCâs last new album, but the group hopes to do a remix album, is considering anniversary reissues and would like to play festivals. Additionally, the two are aggressively pursuing a residency in Las Vegas.
âWeâre blessed to have a body of music, so why would you not live off that and take it a step further?â Watkins said. âWeâve put in all this work for 25 years â" itâs time to work smarter, not harder.â
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