'Despicable Me 3' does box office happy dance as 'Baby Driver' races off with strong returns
The Minions have done it again.
The yellow stars of âDespicable Me 3â catapulted the Universal picture to the top box-office spot besting fellow new releases â" Sonyâs âBaby Driverâ and Warner Bros.â âThe Houseâ â" to start the Fourth of July stretch.
âDespicable Me 3,â from powerhouse Illumination Entertainment, pulled in an estimated $75.4 million in the U.S. and Canada. While anticipation was high for the latest in the computer-animated series, the film failed to meet analystsâ $85-million to $100-million expectations. Last summer, Illumination had a huge hit with âThe Secret Life of Pets.â
The picture also did not reach the $116 million the 2015 spinoff âMinionsâ grossed in its first weekend.
Still, Illumination has proved a formidable competitor in the crowded animation business by making successful movies that cost about $75 million to produce â" considerably less than Pixar and DreamWorks Animation films. The gibberish-speaking, pill-shaped Minions have become inescapable marketing devices, taking over New York cabs and the stars on Amazonâs customer review system. The tiny henchmen propelled âMinionsâ to more than $1 billion in global receipts.
Audiences appear still infatuated with the franchise, with moviegoers (69% families) giving it an A-minus CinemaScore. Critics felt otherwise as the picture has a 63% Rotten Tomatoes score.
Internationally, âDespicable Me 3â has grossed $116.9 million to date. It again stars Steve Carell as the voice of criminal mastermind Gru, as well as his long-los t twin brother Dru. The film also features the voices of Kristen Wiig and Trey Parker.
âBaby Driver,â from TriStar Pictures, MRC, Working Title, and Big Talk Pictures, debuted in second place with an estimated $21 million over the weekend. The Edgar Wright-directed action flick pulled in a total of $30 million since opening Wednesday, well above projections of $15 million to $22 million domestically.
âEdgar and our partners have made one of the most original and entertaining films in recent memory,â said Adrian Smith, the studioâs distribution chief. âWe are so thrilled to see it received as bona fide hit in a crowded summer season.â
The well-reviewed (97% Rotten Tomatoes rating), high-concept action comedy is the latest from the British director known for âShaun of the Deadâ and âThe Worldâs End.â About a young getaway driver (Ansel Elgort) who needs to constantly listen to music to overcome chronic tinnitus and do his job, the $34-million picture also stars Jon Hamm, Jamie Foxx and Eiza González among others.
Audiences flocked to the picture and were pleased giving it a n A-minus CinemaScore.
Landing in third was Paramount's âTransformers: The Last Knight.â In its second week, the picture brought in $17 million, a 62% drop from its debut weekend. Domestically, the film has grossed $102 million to date.
Warner Bros.â âWonder Womanâ continues to soar, landing in fourth place in its fifth week with $15.6 million. Domestically, the Patty Jenkins live action superhero flick has brought in $346.1 million to date. Itâs pulled $361.8 million internationally for a worldwide gross to date of $707.9 million.
Rounding out the top five was Disney's âCars 3â with $9.5 million in its third week. Itâs grossed $120.7 million to date.
The only other new release, Warner Bros.â parents-gone-bad comedy âThe House,â fizzled with a sixth place debut at $9 million. Analysts hoped for at least a $12-million opening of the New Line Cinema and Village Roadshow Pictures movie starring Amy Poehler and Will Ferrell as parents who start an illegal casino to send their daughter to college. This is at least the third R-rated comedy that has struggled for attention this summer amid the big-budget action including Scarlett Johanssonâs âRough Nightâ and Amy Schumerâs âSnatched.â
As the holiday weekend continues in the Fourth of July on Tuesday, Sony will release âSpider-Man: Homecomingâ on Friday.
Get your life! Follow me on Twitter (@TrevellAnderson) or email me: trevell.anderson@latimes.com.
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